Having recently finished editing my second video with the TLR video rig, I thought I’d share what I used to build it and how I found it to use.

Having recently finished editing my second video with the TLR video rig, I thought I’d share what I used to build it and how I found it to use.
An alternative name for this post could be “how I gained a few kilos”, but that aside it would be impossible to write a series on Poland without at least one post about the food. Not only because food is a topic worth discussing in any description of a place, but also its one of my vices, hence the aforementioned alternative title. So here is my best attempt at doing justice to the Polish cuisine.
In part 1 I covered the digital forms of media that I find useful for sources of inspiration, in this post I will talk more about other sources of inspiration. With finding inspiration from non-online sources it can take more effort, but often it can have a bigger impact, so is certainly worth exploring. That being said, there are some easy access sources that may be closer than you realise.
In today’s world, access to visual media is prevalent, in fact, we’re bombarded with it daily, and so with photography being a form of visual media it’s easy to assume finding inspiration is simple. In reality, it’s not as easy as you would assume and the age old adage of quality over quantity becomes relevant. Managing our access to material in a way that helps combat the risk of saturation, quantity and not quality is something everyone should think about. Asking yourself if what you’re getting truly is inspiration, or is it that 2 second buzz that’s goes just as easily as it came. Here are a few thoughts on ways I’ve found inspiration, and also some sources that I find I go to more regularly.
This is undoubtedly something that is obvious to many, but for those it’s not, it may help.
Critiquing your shots straight after you’ve pressed the shutter button is something I’ve realised that I have started taking for granted (having recently dabbled in film), and honestly, not been doing enough. Now, I’m not talking about chimping, checking blown highlights or any kind of quick glance at the back of the camera. But a true critique, does the shot have those leading lines, contrast, or subject position you was trying to achieve.
I’m sure I’m not alone in getting home and looking at some images and feeling like they just don’t match what I could see in my mind when on site, taking the picture. Continue reading “Critique in situ”